




In 2020, Collier Schorr began drawing from photographs she had made of the artist Nicole Eisenman, a solitary practice that had its roots in her fascination with the doppelgänger and the possibility of seeing one’s face in another. This volume, sequenced in Schorr’s unmistakable narrative style, brings together a wide array of drawn portraits, selfies, and self-portraits, both staged and candid, in recognizable spaces and emerging from the blank page. Other artists and Eisenman's teenage daughte
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